November, 2016

[For Supergirl‘s “Medusa” or any other recaps on Fetchland, assume the presence of possible spoilers.]

The CW Summary:
A superhero crossover event begins with Barry Allen and Cisco Ramon from The Flash seeking Kara’s help with an alien invasion; at the same time, Eliza comes to town to celebrate Thanksgiving with her daughters, which seems like the perfect opportunity for Alex to come out to her mother. Meanwhile, Winn and James consider telling Kara the truth about the Guardian; and Kara wants to team up with Lena Luthor to combat a deadly virus unleashed by CADMUS.

I love a crossover…

When I think back to my earliest memories of reading comics at sleep-away camp I can still envision the cover of Justice League of America #107. It was “Crisis on Earth-X” and featured a world where Golden Age characters banded together as a resistance force against the Nazis, who had won WWII. I never read Justice League of America regularly (not until the Giffen/DeMatteis/Maguire run) but I would go out of my way to find all the different “Crisis” issues where the characters crossed over between worlds to fight a common enemy.

Justice League of America #107

Supergirl kicked off the first of four parts of a crossover for the CW last night. I have to admit I felt a little cheated. It was very reminiscent of buying the first part of a major story arc only to have it briefly introduced in the last panels of the comic. They teased the crossover as all the main characters — plus original Supergirl actress Helen Slater as Eliza Danvers, Kara’s Earth-mom — gathered for Thanksgiving dinner.

Fans of The Flash surely recognized a brief breach bursting open over the dining room table, interrupting a nervous Alex Danvers’ big coming out moment with her Mom and friends. (That talk would have to wait until later. But don’t worry, Eliza already kinda knew what was up based on Alex’s non-stop Maggie Sawyer-talk and was totally supportive of her birth daughter.)

Previously on Supergirl

• CADMUS is trying to kill aliens.
• Lex Luthor’s mom Lillian runs CADMUS.
• CADMUS stole Supergirl’s blood.
• The real Hank Henshaw is still “alive” and working for CADMUS as Cyborg Superman.
• Cyborg Superman used Supergirl’s blood to unlock files in the Fortress of Solitude about Project Medusa.
• J’Onn J’Onzz took a blood transfusion from a white Martian and is in danger of losing himself to their DNA.

Back to our show…

Mon-El is falling hard for Kara, as evidenced by his unwillingness to have meaningless alien sex with a cute alien at the unnamed dive bar frequented by those not of this (that?) Earth. Down the rail he notices Cyborg Superman, who has affixed something under the bar. Assuming it is actually J’Onn J’Onzz, Mon-El chases him down outside the bar. A fight ensues while the device inside the bar releases a gas that kills all the aliens inside.

Mon-El is also affected by the gas and lies near death inside the walls of the DEO. Kara realizes what her blood was used for and flies off to the Fortress of Solitude to assess the damage. There she learns that her birth father built a bio-weapon — codenamed Medusa — alongside the military guilds of Krypton. Medusa will kill anyone with alien DNA. She is devastated but brings the information back to the DEO to devise a cure.

After analyzing data from the Fortress they realize that CADMUS will need to use technology that only L-Corp* possesses. Supergirl saves Lena from an assault by Cyborg Superman (I thought that would get less stupid to type as I went on but alas it does not) and alerts her to her mother’s schemes. Lena turns cold to Supergirl and reaches out to her mother to give her exactly what she needs.

CADMUS loads up a rocket and prepares to wipe out all alien life on Earth. The DEO team tries to intervene. Supergirl chases the rocket. J’Onn transforms into a fearsome white Martian and battles Cyborg Superman. In the end, it turns out that Lena had duped her mother! When the rocket does explode it’s not only harmless to aliens but reverts J’Onn to his good old green Martian self.

Everyone gets to live happily ever after. J’Onn is green again. Alex and Maggie finally kiss. And Mon-El and Kara get back to their Sam and Dianne Ross and Rachel routine. Only then do we finally get a successful breach. Barry “Flash” Allen and Cisco “Vibe” Ramon appear in Kara’s living room to ask her help with an unrevealed threat.

In the epilogue we see the aliens that are implied by the title “Invasion” as they head to Earth. Their goal? Capturing Mon-El.

To Be Continued…

–bdm

* Formerly known as LexCorp but now run by his mysterious adopted sister Lena

[For Westworld‘s “Well-Tempered Clavier” or any other recaps on Fetchland, assume the presence of possible spoilers.]

HBO Summary:
Dolores and Bernard reconnect with their pasts. Maeve propositions Hector.

The episode “Well Tempered Clavier” begins as Bernard interviews Maeve about her unscripted events of the day before. Through this, he discovers the changes to her code and nearly calls Ford in before she appeals to him… “man to man or whatever it is we are”. Because of her high intellect, Maeve can control him now. Thus, Bernard returns her to service just as she orders. Maeve gets to him. She understands how depressing it is to realize one’s whole life has been a grand fiction. He’s deeply affected by the conversation, as affected as a man-made entity can be, anyway.

Next we see Dolores with William and Logan. William tells Logan he wants to take Dolores out of the park with him – free her. But she doesn’t get it, “If it’s such a wonderful place out there, why are you all clamoring to get in here?” Logan laughs at this but Dolores is serious. It seems the two shall never meet in mindset. Logan represents the ultimate beast of humanity – all selfish id. While Dolores is the ultimate host, a most convincing machination.

Then Bernard confronts Ford and says he knows Arnold built the most elegant parts of his code. He wants to know more about what Arnold had in mind and demands access to all of his history. That way he can meet Arnold through his memory. Ford says Bernard might not like what he finds in that memory. Bernard doesn’t care. He pulls out a gun and gives it to his freshly “hacked” Clementine. She responds only to Bernard now, he explains, and so will shoot Ford if necessary. Ford then gives Bernard access to his memories. First he’s with his son, next Theresa, and then Bernard remembers killing Elsie.

In the next scene Logan cuts Dolores open so William can see that she’s a robot inside. He thinks this might bring William back to reality and return him to the way he was before – mainly, in love with Logan’s sister. Dolores sees her insides too and gets pissed. She slices Logan’s face and shoots some cowboys; then runs off. Arnold tells her to remember. Dolores heads for the hills.

Then William says he’s over Dolores. He convinces Logan he’s back to his old self. They’re bros again. Logan, thrilled to have his old brother-in-law back, calls what happened between them “bonding”.

Maeve propositions Hector to join her revenge mission. It’s easy. She shows him the safe is empty and grinds his lap near an open flame. That’s all it takes. He agrees to join her. The best part of this scene is when Maeve says that “getting to hell is easy” while they’re surrounded by flames. It’s funny not only because it’s true. The theme of this episode also revolves around trying to return to a past that’s gone forever. Sounds a lot like hell to us. Make a fresh start instead! Seems like Ford’s the only one who gets this. Of course, he also seems like a villain… so, maybe being right isn’t everything.

In the next scene we return to the campfire where the Man in Black and Teddy are bound with ropes. The lady from the side of the road pushes Teddy to remember what happened with Wyatt. She says he doesn’t remember the story quite right. Then she stabs him in the gut and says maybe in the next life he’ll be ready to help Wyatt. The lady bashes the Man in Black’s head against a rock after she repeats the refrain, “The maze isn’t for you,” but does invite him to play a different sort of game. This interaction makes us wonder if maybe the more a host “dies” the better they get at remembering things. Why else does she keep killing Teddy and saying he’s not quite ready yet? Is death for a host like refreshing a web page?

When MIB wakes the next morning, he’s got a noose around his neck that’s tethered to a horse. The horse starts to run and the Man in Black ends up cutting the rope with a knife from his pocket to barely survive. Then Charlotte comes out of nowhere to confront him. She wants his vote on the Westworld Board to push Ford out so that it’s a unanimous decision. Man in Black says fine, no biggie, whatever. He only cares about the maze.

When Logan wakes up the next morning William has gone postal and killed the entire campsite; slashing off limbs with assorted brutal hacks and stabs, it appears. William calmly tells Logan he finally “gets the game”. Now he’s going to find Dolores. A knife to Logan’s throat is all the convincing a douchebag needs to keep mum about it.

At the same time Dolores finds that white chapel outside of Pariah and when she enters, poof! she’s back into her blue dress. Inside the confessional Dolores rides a tiny elevator down into the basement. This appears to be ground zero from the day Arnold died. It’s a medical lab with dead bodies strewn everywhere, seemingly frozen in time from the day they died. Through Dolores’s memories we know this was the original lab where the hosts were made by Arnold and Ford all those years ago.

Meanwhile Bernard comes to the conclusion that his life has virtually no real meaning. His memories tell him this. He realizes the loss of his son is simply a cornerstone. That’s a sad backstory meant to make him more interesting for Westworld purposes. This, he now knows, is why he continually returns to the memory of his son’s death.

So, as an exercise, Bernard makes a final return to that memory and stops the death from happening. He calls the whole thing a lie. When Bernard wakes into his next memory, it’s the day he “came online” for the first time. He’s with Ford and finds out Ford made him in Arnold’s image. Ford created him so that he could have his perfect partner again. Only this time he could control that partner completely. Thus, the theme of not being able to return to the past fleshes out fully here. Even Ford tried to do it. Alas, as a human he makes such mistakes.

Dolores is still in that basement living in her memory. She goes to Arnold for help but soon realizes he’s merely Bernard now. Dolores knows this because it turns out she was the one who killed Arnold. She remembers it now. So, resigned, she takes the confessional elevator back up to the chapel and is about to leave. But then another memory arrives for her. It’s the Man in Black. He’s standing in silhouette at the chapel door. Cliffhanger alert.

Then in the final scene Bernard tells Clementine to shoot Ford but it turns out Ford back doored her code and she won’t shoot him. Ford then orders Bernard to kill himself with the gun instead. As he leaves Ford says to Bernard, “Always remember you can’t trust us. For we’re only human and inevitably will disappoint you”. Then we hear the gunshot off camera. So, because it’s out of sight, it’s possible Bernard still exists. Even if he did shoot himself, he could still come back. Maeve, whose died a million times, could enlist him in her army of revolutionaries.

We don’t know what lies ahead in the finale of Westworld next week. But one thing seems certain, no more going back. One of the things Ford said when he told Bernard to kill himself was, “Let’s put an end to this nightmare once and for all”. Ford wants to forge ahead with a new story. For him the stories are life. He wants a new one. Maeve also wants a new life, and Dolores too. There’s might taste like revenge, sure, but it’s still something new. Even the Man in Black wants a renewal; the discovery of the maze’s end at the very least. Nobody wants to look back anymore. It’s all facing forward from here on. We can’t wait.

– Katherine Recap

[For Westworld‘s “Trace Decay” or any other recaps on Fetchland, assume the presence of possible spoilers.]

HBO Summary:
Bernard struggles with a mandate; Maeve attempts to change her script.

As “Trace Decay” opens Ford tells Bernard to be proud of his colorful feelings about killing Theresa. Ford explains that one man’s life or death isn’t signifcant. What matters is the lesson and dominion earned from it. Bernard rages about this and Ford restrains him with his host controls. Ford mentions that Arnold also tried to stop his machinations. Suddenly it seems likely this was actually how Arnold met his untimely end, trying to stop Ford.

Then Ford says Bernard must clean up the murder mess and remove all the evidence he killed Theresa. Ford will reward him by erasing all memory of his love for Theresa and killing her. So, Bernard can be at peace. Ford portrays this as a sublime gift. The idea that it’s best to erase the memory of love and loss is reminscent of “Eternal Sunshine of the Spotless Mind”. There’s no question Ford sees it as a blessing. The real question is whether he’s right.

Maeve struggles with this same concept throughout “Trace Decay”. First, she confronts Felix and Sylvester. Maeve tells them she knows her spine (like all the hosts) is designed to detonate if she ever leaves the Westworld park. Felix and Sylvester must be her allies so she can safely leave the park and write herself a new story. They’ll need to do a full rebiuld on her to fix this. Maeve insists. She’s sick of all the fake stories she’s been “surviving” in her empty, looped life.

Now she’s super intelligent and knows her inside code, even her dormant self. Thus, Maeve asks them about Arnold. He likely lives inside that dormant self, after all. But her cat cronies don’t seem to know who Arnold is. Maeve then explains to the cats that they can open a window for her to slip through during a shift change. It’s such a cat-like escape plan… Sylvester pulls Felix aside to suggest they wipe her clean like a blank slate rather than going along with her plan.

The next time we see them Felix shuts her down, as planned. But instead of wiping Maeve clean like Sylvester wants, he rebuilds her. When Maeve awakens she slashes Sylvester’s throat for his betrayal attempt. But before he truly dies Maeve has Felix seal his neck with a laser torch. So, Sylvester may not be human. Would that fix a human with a severed artery? No. So, either this isn’t really happening (just another Maeve narrative arc) or Sylvester is a host. Maeve doesn’t care much either way because she’s already onto the next step, recruiting her army.

We see Theresa’s corpse on a table. Ford pretends to Stubbs and Charlotte that he doesn’t know how or why Theresa died. Stubbs explains how he found proprietary data on her dead body. He says Theresa likely attempted to transfer it to someone outside the park. This sublime setup clears Bernard of any potential questioning. Ford seems gleeful. Charlotte, on the other hand, pouts.

In a talk with Ford after this Bernard wonders if his feelings are real or not. “What’s the difference between the machine host and a person?” he asks. Ford says there’s no difference. Consciousness is just a construct in both cases. Of course Ford believes this. If he is human Ford’s likely a sociopath, if not a psychopath, so for such a person there would certainly be little difference.

Bernard asks if Ford ever made him hurt someone like this before. Ford says no, of course not. But then we see Bernard’s memory of strangling Elsie. So, Ford’s lying about this. Thing is, that memory should be erased. Bernard’s having reveries he shouldn’t. Does Ford know or care? Whether or not he does, Stubbs is catching on. He later expresses empathy to Bernard about losing Theresa. Then Stubbs registers surprise when Bernard says he barely knew Theresa. Stubbs knows Bernard was intimate with her. So, it’s fishy as eff.

Charlotte visits the writer, Lee Sizemore, and enlists him for a “real job” unlike the busywork he’s doing for Ford. She takes Lee to the zombie host-filled warehouse. Once there, Charlotte uploads a ton of Westworld data into Dolores’s first Dad. Remember him? It was his short-circuit that alerted the scientists to this whole reverie/update issue in the first place. Charlotte tells Lee to write the guy a simple story. She plans to get him on a train and ship him out of the park undetected. Dolores’s Dad will serve as a data mule for corporate.

Speaking of Dolores, she and William encounter a struggling member of the ambush gang and find out that Logan sent the group to kill them. Dolores too, has disturbing reveries and questions what’s real. She’s trapped in bad dreams – memories really. In one such reverie, Dolores nearly kills herself with a gun to her temple and that old blue dress back on her bod. William tries to comfort and save her. As they leave the town that triggers her bad memories they encounter Logan. He’s up on his high horse and ready to take revenge on them.

Meawhile the Man in Black and Teddy ride horses together on a mission to find Wyatt. They “save” a woman on the roadside and she joins them. Then a giant uniformed minotaur man attacks and Teddy takes him down. For some reason this arouses his reveries. Now he remembers MIB’s cruelty to Dolores. So, Teddy hits the Man in Black and says he remembers it all.

Later at the campfire Teddy confronts MIB about it again. The Man in Black describes himself as a god and controller of worlds. He says his wife in the real world killed herself because she knew he was a terrible man hiding behind “good deeds” and philanthropy. So, MIB created a test for himself in Westworld. Did he have it in him to do something truly evil? What was he truly made of? Turns out this “test” was when he killed Maeve and her daughter. But the Man in Black explains that afterward Maeve refused to die and “was truly alive – even if only for a moment. It was a miracle. That was when the maze revealed itself.” The dirt forms a maze around Maeve’s body as she clutches her daughter in grief and death. MIB explains that the maze reveals a deeper game – Arnold’s game.

He says in Ford’s game Teddy can never kill him. Then MIB implies that this rule may not follow in Arnold’s game. This seems to be the ending he seeks. The woman who joined them on the trail confronts the MIB at the campfireside. It appears she’s more than just a helpless victim they found aside the road. She jabs an arrow deep into Teddy’s shoulder; killing him, and tells him to return quickly. “Wyatt will need you soon,” she says. Behind her creepy characters emerge from the darkness as a threatening spectre to the Man in Black.

Hector was, of course, Maeve’s first choice recruit for her army. After securing his loyalty with a victory at the saloon, Maeve escapes a standoff right outside. Then we see a tragic scene from Maeve’s past. She loses her daughter and Ford uses “an old trick from an old friend” to take her suffering away. But Maeve asks him to leave it with her. It’s all she has left of her daughter, she explains. Ford erases her memory anyway but right then Maeve kills herself. Is this why she still remembers? Did her rush at death save a remnant of her daughter’s memory? This goes back to the earlier bit Ford said about erasing love and loss. Maeve wants to keep it. She wants to remember her daughter. In this preference, Maeve seems more human than Ford.

– Katherine Recap

[For Westworld‘s “Tromp L’Oiel” or any other recaps on Fetchland, assume the presence of possible spoilers.]

HBO Summary:
Dolores and William journey into dangerous terrain; Maeve delivers an ultimatum.

“Tromp L’Oiel” is a perfect title for this episode of Westworld. It refers to the artistic trickery realism sometimes employs. Ever tried to open a window or a door that turns out to be a painting on a wall? If so, that “Tromp L’Oiel” experience probably felt exactly like a day’s work at Westworld. The episode covers such a day where, like in the book Alice in Wonderland Bernard reads to his son, “Everything would be what it isn’t”. In fact, reality’s entirely up for grabs in this episode as three big secret revelations alter our idea of what’s really happening.

In the narrative “park” version of Westworld, Dolores, William, and Lawrence ride a train into dangerous territory. The windows armor down for their protection and Lawrence explains that the train’s their only way safely through the area. But William and Dolores have other priorities; hormones mainly. They want to do it. The duo discuss how they have nothing in common as well as that he’s engaged and will forget Dolores the second she’s out of his sight. So Dolores rushes off in a huff.

William then chases her to give a romantic speech about being truly alive for the first time. Finally, the switch flips at this point and they smooch it up hardcore. The next morning William says Dolores has unlocked something inside him. She replies, “I’m not a key, I’m just me,” which feels so hackneyed it’s likely meant to remind us that these two are just rehashing a tired old script.

Dolores shows William sketches she did overnight of her dream place. It’s where she wants to go; a place she’s only imagined but believes is real. Her illogical explanation then gets interrupted when angry Confederados ambush the train. A fun gunfight, horseback chase, and explosions scene follows and covers lots of cowboy territory. In the end, Native Americans shoot arrows to kill the Confederados. Thus, Dolores, Lawrence and William are now safe from danger.

Conveniently, just as they escape peril, Dolores and William find they stand right near the dream place Dolores sketched. So, of course, that’s where the pair are going next. On the other hand, Lawrence leaves them behind to go fight in the war. Before he goes, though, Lawrence warns them that nobody’s ever returned from where they’re going.

Meanwhile in the backstage version of Westworld Theresa and Bernard remain embattled. This time it’s less about their secret affair and more the bottom line. Charlotte Hale came down on Theresa about all the recent host screw ups. Not because corporate actually cares about the safety issues or ramifications for the guests… but because of their agenda. Charlotte calls this entity “the gods” and says they demand a “blood sacrifice”.

Turns out it was corporate Theresa stole the code for. Because Ford kept it all within the park all these forty years they don’t have dominion over it. They want to force Ford into retirement but retain the code after he’s gone. They assume he won’t retire amicably and thus might erase the code on his way out. So, they’re stealing it as a precautionary measure. This is big secret number one.

Then Charlotte and Theresa do a fake presentation for Ford and Bernard where Clementine gets dangerously violent after not resetting properly. They claim to be convinced that the hosts are developing grudges from those pesky memories they’ve started having since the latest update. The presentation ends as Charlotte fires Bernard for all this. Bernard confronts Theresa after the presentation and says he knows that presentation was a total sham. Bernard says he knows she’s been stealing code from the park.

He then tells her about how the hosts are screwy and why – “repetition leads to variation,” which we hope to figure out sometime this century. Bernard explains it as a link between memory and improvisation. Then she tells him of the corporate plan to save the information and get rid of Ford.

Bernard takes Theresa to Ford’s little cottage out in the woods. Before they enter he tells her the hosts “can’t see what’s right in front of them”. Then Theresa says, “What’s behind this door?” and Bernard responds, “What door?”. It’s a clue to the next, and last, big secret to be revealed inside. In the cottage basement they find a studio where Ford secretly makes hosts. That’s big secret number two. There are blueprints for hosts all over the damn place. This is when we find out, along with Theresa, that Bernard is a host – big secret three. Theresa seems hurt at the news while Ford seems gleeful. He has that Hopkins twinkle in his eye.

They have a standoff. Theresa suddenly knows what Charlotte, and now Ford, mean by “blood sacrifice”. She scrambles and takes out her phone to free herself. But Ford controls everything in this world, even cellphone service. Thus, Bernard slowly takes off his tie and then kills Theresa at Ford’s order. After she’s dead Bernard calmly puts his tie back on and leaves. Is Ford “the gods” Charlotte refers to? Will that be the next big secret reveal? Or is corporate really truly about to ask him to retire?

Maeve trespasses backstage once again to land on Felix’s table. She tells Sylvester and Felix to get her out of the whole thing, though. Just backstage isn’t far enough for her. Nor is “survival”. She’s decided now that surviving is really just another loop in the storyline. In fact, Maeve doesn’t fear death because she’s an old pro at it. So, she threatens to kill Sylvester if he doesn’t help free her from the park. After all, he’s a newbie at the whole dying thing. This ultimatum will likely work on him. Felix, on the other hand, doesn’t really need threats. He’s ready to marry Maeve at this point.

“Tromp L’Oiel” succeeds because it gives bountiful answers while it still leaves a few juicy tidbits on the plate for us to chew awhile. We like Westworld a bit more now as it shifts from a navel-gazing frontier into answers and action.

– Katherine Recap

[For Westworld‘s “The Adversary” or any other recaps on Fetchland, assume the presence of possible spoilers.]

HBO Summary:
Elsie discovers a possible sabotage; Teddy and The Man in Black have a conflict with a garrison.

“The Adversary” answers a few questions but offers few conclusions. Ever wondered why Ford prefers the company of the ancient android cowboy? Or why there’s a human figure at the center of the maze symbol? Watch this episode for clues.

In the beginning Maeve heads brothel-bound to the tune of Radiohead song, “Fake Plastic Trees” on the saloon player piano. There she quickly instigates her own death; choked into oblivion with just a few choice words to a John. Thus Maeve lands on Felix’s table once again. Skittish Felix isn’t happy to see her. But she’s thrilled to accomplish this goal so easily. Maeve asks him about the difference between her humanity and his. So, Felix shows her the data tablet where Maeve’s thoughts appear in digital letters just as she thinks them. The ultra-awareness of her inner programming silences her then. It stalls Maeve until she flutters into consciousness again and asks to see “upstairs”. It doesn’t take much coaxing for flustered Felix to take her there.

Upstairs blood pumps through a pipe and fills a waxen white body until the veins pinken and it turns into a flesh and blood man. Because it’s through Maeve’s eyes, there’s all male nudity in this scene. It feels refreshingly of-the-moment. Such gratuitous body-baring usually relegates to the female form. Maeve then watches an ad for Westworld where she’s happy in a field with her daughter. Maeve asks how they got her dreams and Felix explains that she had previous “builds”.

Right then Felix’s butcher partner and fellow cartoon cat, Sylvester, enters. He’s pissed and threatens Felix’s job. So, Maeve holds a scalpel to Sylvester’s throat with enough fervor to terrify and silence him. Then Maeve convinces Felix and Sylvester to make programming changes on her. She wants her intelligence as high as it will go. Our cartoon cats do this for Maeve. But they also find out somebody with a much higher level of access than theirs recently altered Maeve’s programming. This likely explains why she’s so far out of her lane already.

Meanwhile Elsie discusses the android data espionage with Bernard so he heads to Westworld‘s sub-level to inquire further. Bernard locates five old school hosts that aren’t registered in the new system. Afterward he brings this info to Theresa. But she’s got Ford on her mind and breaks off their affair without much attention to Bernard’s breakthrough. So, Bernard then checks further into his findings and finds the unregistered hosts in the sector for new narrative development. There he finds a man, wife, and two sons in a house. That’s four of the five unregistered hosts. But then who’s that hiding behind the door? Ford.

He explains to Bernard that these are first generation droids. Ghosts. Turns out we were right and the boy is indeed Ford as a child. Arnold made this family as a gift for Ford – his only happy memory from childhood. He guilts Bernard into allowing them, “if you could only see your son again, wouldn’t you want to?”. In the next scene Ford interviews his younger self, the boy. Turns out the boy kill his beloved dog. Arnold’s instructed him to do it because the dog had killed a rabbit. Thus, Arnold told the boy to kill the dog so that it couldn’t hurt anyone ever again.

Elsie investigates further and finds a broadcast to the hosts, which explains the voices they hear. She locates the source in a creepy and dusty room. Meanwhile Bernard goes to Theresa and tells her about Ford. But right then Elsie calls to tell Bernard that the person smuggling data out of the park is Theresa. He ducks away from Theresa but we never see his true reaction. It’s possible Bernard already knows about this or has set up Theresa himself. On the phone a bit later Elsie tells him someone has been modifying the droids so they become dangerous. Yet again Arnold appears to be the culprit. She continues to dig for info in the creepy room but somebody grabs her from behind. We can’t see who it is quite yet.

On the other side of Westworld, Teddy and the Man in Black seek Wyatt on horseback when they’re redirected because the borders are closed. The pair encounter and kill Union soldiers. Teddy keeps pointing out signs of Wyatt, like tortured soldiers with severed limbs. That’s how Wyatt rolls, apparently. There are several fighting scenes with Teddy and he finally grows a pair, thanks to his new memories of Wyatt. He pictures himself kicking ass alongside the villain. So, Teddy’s no longer a perpetual loser and instead reads like a bit of a brute. Mainly, he enjoys killing en mass. At one point he machine-guns an entire campsite and it seems to brighten his spirits.

This isn’t quite the Teddy we thought we knew but he does still get misty-eyed about Dolores. She doesn’t appear in “The Adversary”, though. MIB merely mentions her name. It’s mostly fight scenes for them but Teddy also tells MIB that the maze is the sum of a man’s life and at the center of the maze is a man who’s been killed over and over again, countless times. He’ll return one last time and vanquish all his oppressors in tireless fury. He built a house and around that house he built a maze so complicated only he could navigate through it. So, the Man in Black has finally chosen an appropriate partner. Teddy likes to kill and knows lots of factoids about the maze. Maybe he’ll even live a few days and nights all the way through if MIB sees his value.

A few Fetchland notes on the episode:

• We’re intrigued with the “butcher” cartoon cat names; Felix and Sylvester. Remember how Felix even plays with a bird to Sylvester’s dismay? It’s just like a real world cartoon catfight.
• Bernard finds 5 unregistered hosts in the system before he meets them in person. Once at the house he finds the family of 4. So, who is the fifth unregistered host? Is it Ford? That might explain Ford’s oddness. Did Arnold create Ford as his revenge mechanism to destroy Westworld much like he had the little boy kill his dog? They’re solid parallels. The boy loves his dog and Ford clearly loves Westworld. This makes Ford a perfect sacrificial lamb.
• Several characters in “The Adversary” say either it’s my job to know people’s desires, or I’m programmed to know what people want just by looking at them. Yet everybody seems surprised all the time. Human or android, nobody really knows anybody else that well in Westworld. And half the time they don’t really know what they themselves want. Perhaps this is meant to reflect humanity. If so, we like it.
• Lee Sizemore, the writer serves as an obvious example of the episode title “The Adversary”. He chugs margaritas and pouts poolside when Lee spots a lovely lady and approaches her at the bar. Unfortunately for him, she’s unimpressed when he’s cut off by the bartender. She likes Sizemore even less when she meets him at work later. At the office Lee pisses on the Westworld map and rants like a spoiled lunatic. After which, that same lovely lady, Charlotte Hale, Executive Director of the Westworld Board officially greets him, title intact. Oops. Maybe they won’t be poolside margarita best friends after all.

– Katherine Recap