Animal Man #6
Posted by Michael Flores | Comics

comiXology summary:
Buddy Baker must face off against invading Thanagarians looking to conquer Earth! Can Buddy Baker stand up to the winged wonders or will he become the first casualty of war? Grant Morrison’s ANIMAL MAN epic continues!

In the new episode of Top 8 Magic (that comes out next week, actually) BDM and I talk about DC’s Legends of Tomorrow and the Dwayne McDuffie-driven Justice League and Justice League: Unlimited cartoons. Hawkgirl (or Hawkwoman) in some of her various incarnations is a central cast member of all those teevee shows.

That said, the woman swinging the Nth Metal Morningstar at Buddy Baker in this week’s Superficial Saturdays cover is not actually Hawkgirl, rather a Thanagarian soldier name of Kol (not Hol, or “Hall”)… But I doubt the marketing department or cover editor would have minded much character confusion… Any more than they would the shamelessness of that Thanagarian uniform.

You see, Animal Man — though considered the apex of Grant Morrison’s writing career by some critics — was not exactly a hot seller. As good as the story is considered — and as well as it is thought to hold up over two or even three decades now — interiors penciler Chas Truog is widely panned as the weakest artist Morrison was ever paired with on a regular book.

No problem for Superficial Saturdays fans, though! Brian Bolland handled covers for going on three years (this is, of course, not the first time Bolland has been the subject of Superficial Saturdays).

Lots of stuff I love about this one:

  • It’s nakedly eye-catching; Thanagarian uniform and everything else.
  • Bolland’s line work is impeccable, as usual. Check out the delta between foreground and background wings, the precision on the Nth Metal Morningstar spikes, and Buddy’s jacket… especially in contrast to the shadow across his right leg
  • The colors, circa three years before the garish explosion of “computer coloring” onto the industry, is subtle. Not perfect by any means, but subtle. One thing to keep in mind is that with 1980s level of coloring technology a penciler (or penciler / inker like Bolland) had to be way more skilled to look not nearly as good. Bolland accomodates, per usual.

To the surprise of no one, Brian Bolland won 1992’s inaugural Eisner Award for Best Cover Artist, largely due to his work on Animal Man.



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